Saturday, August 31, 2019

Albert Camus The Stranger: Existentialism and Absurdism Essay

Existentialism is a philosophy that emphasizes the uniqueness and isolation of the individual experience in a hostile or indifferent universe, regards human existence as unexplainable, and stresses freedom of choice and responsibility for the consequences of one’s acts. This philosophy is essentially the crux of the novel The Stranger and not only serves as one of the themes but probably the main reason Albert Camus wrote the book altogether. Presented in first person narration through the eyes of Meursault, the indifferent and apathetic main character, the novel serves to evoke the creed of existentialism through the embodiment of the philosophy in a person. Meursault’s speech, thought, and actions are what Camus believed a person who innately possessed the tenets of existentialism would have. Existentialism, what it represents, the results of its embodiment in a person, and the validity of the doctrine altogether are all important aspects explored in The Stranger by Albert Camus. â€Å"Maman died today or yesterday maybe, I don’t know†. These opening lines of the novel serve not only to introduce the novel but to summarize it as well. Rather than focusing on what is important-his mother’s death-Meursault is focused on when exactly she died; whether it was yesterday or today, since the telegraph only stated the funeral would be tomorrow. Right away, within the very first sentence, the reader is introduced to existentialism incarnate. Meursault exhibits a complete and utter indifference to life manifested by a profound lack of emotion. He doesn’t care when his mother died, in fact the fact that he has to attend the funeral altogether is the most troubling part of this whole ordeal to him. When he finally gets to the funeral, he couldn’t care less about his mother-as he rejects the offer to open the casket-but is utterly consumed by the days heat. Camus does a great job in the first part of the novel of demonstrating to the reader not only the philosophy of existentialism, but a corporal representation of it as well. This corporal representation of existentialism is what makes The Stranger the unique book it is. As opposed to the multitude of books and manifestos approaching existentialism from an academic perspective, The Stranger approaches the philosophy by detailing a character with the belief innately in him and showing how someone like this might behave. Neither the external world in which Meursault lives nor the internal world of his thoughts and attitudes possesses any rational order. Meursault has no discernable reason for his actions, such as his decision to marry Marie and his decision to kill the Arab. The book, narrated by Meursault, is basically life detailed superficially by him. He talks about the weather, the food he’s eating, about the things he did that day rather than how he feels or thinks of other people, places and things. This is how a person consumed with existentialism would behave and think-indifferently and apathetically. Meursault passes no judgment on people and is ultimate executed for killing an Arab for no apparent reason. The philosophy or theory of Existentialism is somewhat controversial, but nonetheless in many respects it has some notable and legitimate points. If one were to truly take a look at the universe, it would seem purposeless. And humans do in fact possess the innate desire, or rather compulsion, to explain things and have things figured out-thus explaining their need to associate a purpose with the universe, even when it doesn’t necessarily exist. But what made this theory come about in the 19th century when it could have been realized centuries before? The reason is the tragedy and devastation the world saw at this time-several world wars in specific. If we take a look at the life of Albert Camus himself, it’s hard to deny the fact that there is a connection between the existentialism’s inception and personal tragedy. In 1914, Camus’ Father was drafted into WWI and killed in France. In 1934 he Married Simone Hie, but divorced her two years later. In 1939 he volunteered for service in WWII, but was rejected due to illness. In 1940 he wrote an essay on the state of Muslims in Algeria causing him to lose his job and move to Paris. In 1941 he joined the French resistance against the Nazis and became an editor of Combat, an underground newspaper. These, as well as many other incidents and events in Camus’ life influenced him in the sense that they formed in him a bleak, pessimistic view of life. This perspective undoubtedly set the foundation for his adoption of the theory of existentialism. â€Å"If there is a sin against life, it consists perhaps not so much in despairing of life as in hoping for another life and in eluding the implacable grandeur of this life. † The point illuminated in this quote by Camus is that although some consider viewing life with despair to be wrong, or sinful, in reality hoping for an after life, â€Å"another life†, or living a life of implacable grandeur is the real sin. Camus held strong to the belief of Absurdism, or the belief that humanity’s effort to find meaning in the universe will ultimately fail-thus it is absurd to try to find meaning or to live as though there is a meaning because no such meaning exists. While Absurdism might seem like a synonym for Existentialism, the two are slightly different. Existentialism makes the point that there is no purpose or meaning in the universe. Absurdism goes a step further to say that not only is life purposeless, but any attempt at finding meaning is utterly absurd. Albert Camus, being the polarized man that he was, held more firmly to the belief of Absurdism than existentialism. In writing The Stranger, Albert Camus championed the idea of existentialism, a philosophy he truly believed in it. But the philosophy of existentialism is not free of criticism. Herbert Marcuse criticized existentialism, especially in Sartre’s Being and Nothingness, for projecting certain features of living in a modern, oppressive society, such as anxiety and meaninglessness, onto the nature of existence itself: â€Å"In so far as Existentialism is a philosophical doctrine, it remains an idealistic doctrine: it hypothesizes specific historical conditions of human existence into ontological and metaphysical characteristics. Existentialism thus becomes part of the very ideology which it attacks, and its radicalism is illusory† What Marcuse is saying here is that existentialism makes the mistake of thinking that just because human conditions are tragic and seem to lack a purpose, that they in fact do. Whether or not there is purpose to the universe is an ontological and metaphysical subject, not one that can be realized through historical events. Existentialism and its brother philosophy Absurdism are philosophies that emphasize the uniqueness and isolation of the individual in a hostile and indifferent world, and stress the fact the universe has no discernable purpose. This philosophy is essentially the crux of the novel The Stranger as Meursault, the indifferent and apathetic main character, embodies the tenets of existentialism intrinsically. Existentialism, what it represents, the results of its embodiment in a person, and the validity of the doctrine altogether are all important aspects explored in The Stranger by Albert Camus. Bibliography1. â€Å"Existentialism. † The American Heritage ® Dictionary of the English Language, Fourth Edition. Houghton Mifflin Company, 2004. Answers. com 28 Mar. 2007. http://www. answers. com/topic/existentialism2. Marcuse, Herbert. â€Å"Sartre’s Existentialism†. Printed in Studies in Critical Philosophy. Translated by Joris De Bres. London: NLB, 1972. p. 1613. Camus, Albert. The Stranger. Middlesex: UK Penguin Classics, 1943. 4. Sartre, Jean P. Existentialism is a Humanism. World Company, 1956. 5. â€Å"Albert Camus. † 28 Mar. 2007 . 6. White, Ray. â€Å"The Meaning of Life. † 2004. 29 Mar. 2007 .

Friday, August 30, 2019

Religious groups in Mediterranean in 900 a. d.

The representative sample is Spain, a Mediterranean country. Mediterranean World, by and large, had gone through many inter-religious wars and convulsions, until for a change a time of greatest glory arrived in the Middle Ages. During this period, the Muslims and Christians were able to live in peace and harmony. This resulted in the practice of cosmopolitan culture, and people of both the religions lived in mutual trust creating unique blend of Western Civilization, where in the contribution both the Christianity (Western) and Islam was more or less equal.Notwithstanding the dominance of the Muslims (Islam), religious harmony was the hallmark of the era. But the peaceful situation did not last for long. Arabic (related to Islam) was the primary language of cultural preservation and socio-spiritual progress during 800 a. d. in the Mediterranean history. In the initial stages, the language and religion (Islam) were imposed on the people. The impact of Islam was greatest during this ce ntury. It remained so between the 7th and 13th centuries. Every religion is linked or associated with a particular language like Arabic to Islam!The language prospers means the concerned religion thrives and vice versa. During the ascendance of Arabic language, Hebrew and Latin had also an important roles to play. They were clerical languages. At the same time, Arabic, apart from being the clerical language, was the language of poetry and prose as well . The califal library in Islamic Cordoba alone held 4000 books -the librarian’s catalog held information on some 600,000 volumes. The laymen of Spain do not have the knowledge of the immense contribution of the Muslim culture beyond the architectural remnants.But they celebrate with great pomp and fanfare the festival of the rout of the Muslim pirates. Notwithstanding the dominance of the Muslims (Islam), religious harmony was the hallmark of the era. To the eighth century Muslims, Iberian Peninsula was the entry point. The emo tional, physical and spiritual atmosphere was perfect. Cultural progress and constructive socio-spiritual activities were possible under such circumstances. Exquisite architectural masterpieces were built and scholarly writing was encouraged, and this had a profound influence on the life in Mediterranean area and many other parts of the world, for centuries to come.This is the greatest contribution of Muslims to this region in 900 a. d. â€Å"The Muslims who entered Iberia through the Gibraltar Strait in 711 defeated the Visigoths and moved up to the Pyrenees and maintained their stay for several centuries. Finally, with the fall of Granada in 1492, the Muslim presence was ended by Christian forces from the north. The Muslim-led civilization of medieval Iberia, a. k. a. Al-Andalus made many noteworthy contributions to humanity. † The influence of Islam that began in the early 7th Century continued till the 11thcentury.The greatness of this civilization and the dominance of Ar abic language have been highlighted by many scholars in their works. There were scholars who worked exclusively on copying Quran. That was not the era of the printing press. Book worship was the dominant quality of the Islamic polity. The Islamic Rulers encouraged building book-treasurers. So, Islam combined with Arabic language had profound influence in Spain and on the Mediterranean world during 900 a. d. It is pertinent to note here, what happened in 800 a. d. would contribute to the subsequent developments in 900 a. d. onwards. It was a period of positive and negative developments.The constitution of the new Empire sealed the break between the West and the East. It perhaps gave the West a new Roman Empire. Muslims incursions began to take place with more intensity across the Mediterranean, and they did not hesitate to impose their language and religion on the populace of the conquered territory. Trade across the Mediterranean came to a standstill and the ports, through which the merchandise arrived, were deserted with no commercial activity. The sea was no longer a safe route for commerce, because chaos prevailed all over the interior Mediterranean region initially.Due to the relentless pressure put by the invading Islamic outfits, Western Christian Civilization moved north. This resulted in the suspension of the contact with eastern, Byzantine Christianity. Over a period, they developed and formed into two distinct Christian groups. The common identity was lost. This situation worked to the advantage of Islam in the long run because their ‘religious enemies’ stood divided. Their hold and influence on the Mediterranean became even stronger. In this process, the replacement of Christianity of the southern and western Mediterranean areas by Islamic outfits had a catastrophic effect on Europe.In certain areas, a biased tax system was introduced to promote Islam. Additional taxes were imposed on Christians, but those who embraced Islam, were exemp ted. The religious persecution became order of the day. So the factors that contributed to the Muslim ascendancy were: patronage by the rulers for this religion, religious persecution for subjects practicing other religions, encouragement to literature in Arabic language, relentless pressure of the invading Islamic outfits on the people of Spain and the Mediterranean region.

Thursday, August 29, 2019

Empowered by Manolos, Bound by Cosmos Femininity and Gender Roles in Darren Star’s Sex and the City

Entertainment has long been one of the most accessible forms of communication because it appeals to the sense of pleasure than any other avenue in the information process. Today, in most parts of the world, entertainment has conquered a host of media that may be appropriated by both producers and consumers, with each medium translating specifically to the audience it aims to reach. From print to broadcast, from film to the internet, mass communication has provided ways and means for audiences of any age to claim the kind of entertainment they prefer—thereby creating its niche in the prevailing popular culture in any country or community. Among the forms mentioned, the stellar history of film and the allure of convenient glamour and lifestyle associated with it have catapulted it to the top of the most influential of all media. Considering most people have access to cinema, it is correct to assume that this medium has had its share of voice in achieving social change, advocacy, politics, and empowerment. And, apart from being instrumental in relaying news and other traditional informative content, cinema and its success in entertainment has also become a veritable avenue to communicate these integral issues through visuals, acting, and choice of format. One of the most celebrated productions in recent time is the iconic Sex and the City film, released in 2008 and based on the cult television show of the same title. By showcasing the formerly undesirable concepts of singlehood among females over thirty, professional success, and the unabashed references to sexuality and independence, its creator Darren Starr had stumbled upon a void clearly anticipated by women in these situations—and launched a culture that debunked most traditionalist ideologies and heralded new mindsets of feminism and empowerment. II. Power and the Feminine Approach Feminist inquiry was established to â€Å"offer theories that center women’s experiences and to articulate the relations between the categories of gender and other social categories, including race, ethnicity, class, and sexuality† (Littlejohn 2008, p. 49), and this claim is evident in the purposive nature of SATC. Individually, the characters of Carrie, Samantha, Miranda, and Charlotte possess their unique strengths and focus: writer Carrie is the intellectual and introspective; Samantha’s focus is on her sexual nature; lawyer Miranda conveys independence; and Charlotte is depicted as the arguably traditional of the group yet is never relegated to being permanently at the mercy of her goal to find a husband. In other words, these women are all portrayed to be whole and complete on their own, and have already made their decisions on their particular brands of femininity. Once a woman has defined her sense of self, it is easy to understand how power can come logically. Most audiences of SATC find pleasure in the witty musings of Carrie, the stern yet human concerns of Miranda, the extent to which Charlotte would go to get married, and the sexual adventures of Samantha. In the film, though, each has had her own story finally played out, not necessarily in the ways they planned: Miranda is a mother, Samantha is in a committed relationship, and Charlotte is married and has adopted a child. Only Carrie appears to have taken the more expected route of continuing her relationship with Mr. Big, a man who had long been the cause of many of her mishaps. But while each of them has realized their traditional roles as females, their background activities still remain indicative of their career successes. Like in the TV show, the women of the SATC film still engage in their females-only conversations and gatherings, during which they discuss men, relationships, an d sexuality. According to Littlejohn (2008, p. 244), â€Å"women’s groups often are less interested outcomes and traditional group tasks—less interested in doing and more interested in being†, which then justifies the nature of their bond. Among friends, the four women can merely be and not be concerned with what should be; among their colleagues, they are more goal-driven and objective. The conversations the SATC females have within their group are, in reality, material that audiences can live by, and are almost always philosophical or pragmatic enough to communicate new thinking. When Miranda discovered that Steve had a sexual affair with another woman, she immediately reported the incident to her girlfriends—who, in turn, expressed approval at Miranda’s decision to leave Steve. When Carrie announced that she and Mr. Big were getting married, the group actually came up with two opinions—validation from Charlotte, and ambivalence from Samantha. These two examples at once present rational ways to address these common life circumstances, without resorting to the stereotypical reaction of women approving of marriage or staying in one despite significant problems. Apart from that, their nonchalant manner in discussing sexuality signals an unconventional pattern not often shown among women in films and other media, but occurs in women’s discussions in real life. The vulnerability exhibited by at least two of the four characters while engaging with men is more about being human than succumbing to societal pressure; it has more to do with their personalities than a non-negotiable objective to feel adequate with men in their lives. Again, this goes back to the development of each character in the film, being completely defined and expected for women their age. Of course, it would be harder to prove had they been in their twenties, still searching for themselves in New York, like Carrie’s assistant Louise. Modern femininity is definitely confirmed in the events, reactions, and portrayals of the SATC girls: strong and individual, yet completely aware of their identities and priorities. Compared to younger women, the four characters are each shown carrying the same sense of self one her own, or with her friends. Therefore, the issue of power in the film is attached to the evolved characters of Carrie, Samantha, Miranda, and Charlotte—they know who they are, including their strengths and weaknesses, and are capable of appropriating such when it comes to men, or any other concern. III. Representing the Thirty-Something Female With the exception of Samantha, who celebrated her fiftieth birthday in the SATC film, the main characters are in their late thirties. In fact, Carrie had probably just turned forty as this was one of the highlights in the film—the suitability of a 40-year-old woman to be photographed in a wedding dress. However, this may be less of an issue compared to the question of the accurate representation of women in this age range. Israel (2002) stated the still-existing stereotype of single women, that they are â€Å"social outcasts†¦ odd women who require constant translation† (p. 46). If this is the present concept of the public regarding single women, then the issue is not in the misrepresentation but in society’s unchanged opinion of female expectations. While the show’s creator had indeed chosen to center on the lives of New York women, possibly to highlight the urban culture and wealth of material related to the area, the demographic shown is not far from the truth. It may not be correct to assume that all thirty-something females live the kind of lives seen in SATC, but he combined factors of location, career opportunities, and culture all figure in the equation. Much of the TV show and the movie itself is focused on the New York life—fashion, music, night life—and the defining characteristics of the location that has made it legendary. Opportunities for career and wealth are often associated with gumption and chutzpah, which are part of the psyche of a typical New Yorker. This is most evident in Miranda’s and Samantha’s stories, whose careers as a lawyer and a public relations expert, respectively, are born out of their being in New York. Even Carrie and her sex column’s credibility have more to do with being in New York, the bastion of all things forward and modern, than by merely being a smart single woman with enough authority about sex. The aberration, more than being the appropriate representation of single women, is Charlotte; her perceived values and preference for tradition appear to be more suited to a less worldly area than Manhattan. Like in the TV series, consumerism and brands form a significant function in the film; Carrie’s display of wedding dresses identified by designer shows the amount of importance given to labels. But the New York premise once again provides the perfect excuse, being the center of fashion and home to most luxury brands. Had Carrie been in a small and not-so-cosmopolitan area would have made this appear pretentious and unreal, but the established facts of New York, her career as a magazine columnist, and her affinity for fashion make the association with designer labels quite expected and normal. Without the penchant for brands and the access afforded by being in New York, the SATC women’s representations of the thirty-something female are not far from accurate. At this age, most women have, or are in the process of establishing their careers, or are obsessing over finding a husband and starting a family—as seen, respectively, in Miranda and Charlotte. Yet they had not neglected the other aspects of themselves that would make them achieve their life goals, such as motherhood, responsibility, and friendship; these are clearly established in the film, but due to the necessity to adhere to a cohesive storyline, these have been placed conveniently as background material. Still, some traditionalists may dismiss the film as a celebration of consumerism, anti-feminism, and overt sexuality—concepts that contradict each other when taken as a whole—but it is only because SATC managed to introduce a new breed of independent females who recognize both their strengths and limitations. The characters are complete and wholly developed, creating personalities so real and defined that the more conservative viewer may find them at once curious and controversial. The female audience comprising the age range portrayed by the SATC women will always find the film liberating, for two possible reasons: because they can identify with the trials and tribulations of the four characters; or because they can only hope to reach the level of individuality and liberation available to these New York women. Of course, the common pleasure derived by women in either situation may be found within the more superficial elements of meeting men per se and fashion—it is still entertainment, after all. But the deeper issues of love, relationship, marriage, friendship, career, life, loss, sadness, joy, and other concepts present in the film are universal constructs that affect women, and men as well. However, if one were to stop at the shallow enjoyment of the aesthetic elements provided by the film—such as designer fashions, swanky homes, and gorgeous men—then the experience would not be maximized, and would most likely box in the film in the category of triviality and shallowness. Also, manipulation would only be the case if the film depicts a world far from real, with unbelievable characters, and an obvious objective to sell its audience to a life impossible to reach. Carrie and her friends represent every single woman, perhaps not in all aspects, but in the mindset and priorities; the issue of singleness at thirty being the key qualifier in the equation. Naturally, their concerns would not be identical to those of a younger or married woman, who would have different realities altogether. An example would be the wildly popular TV show Gossip Girl (2007), which is undoubtedly limited to the lives of the affluent youth and uses a questionable method of communicating reality through visual pleasure and aspiration. IV. The Politics of Gender Roles in SATC The topics chosen for discussion in the regular lunch, coffee, and shopping dates of the four characters vary at all times, with gender-related issues taking a significant portion. The nature of entertainment provides an effective avenue for these concerns, specially with a smartly-written script and a sense of responsibility to communicate the issues properly. In the movie, the women discuss sex in the presence of Charlotte’s daughter Lily, and they use the word â€Å"color† to substitute for â€Å"sex†Ã¢â‚¬â€producing a witty exchange that came off as both enjoyable and informative yet socially acceptable. Marriage, in Carrie’s case, was construed on the outset as a matter of convenience, in order to share an apartment with Mr. Big, but was really a serious issue that had her debating on her reasons for getting married—whether it was out of love or mere practicality. But despite all the carefully-crafted dialogue, the scenes referring to life-changing issues such as Miranda’s separation from Steve and Charlotte’s discovering she is pregnant were treated with utmost subtlety and thought, and would not be out of place in any other traditional text discussing the very same points. What may be left out to some extent is the politics among the characters themselves; since female competition is a powerful theme in most women’s lives (Barash 2006), it is questionable how the four women have almost no semblance of rivalry or contest, at least in the film. This phenomenon is largely common among groups of women, in particular, and SATC had shown almost nothing about competition even if it could have been appropriated in several points in the story. The only allusion to it would be Miranda’s declaration that marriage is not the right choice to make, yet without any reference to her envy of Carrie and Mr. Big. V. Conclusion The entertainment culture introduced by the pioneering SATC text redefined the landscape of feminism, empowerment, and the resulting popular culture that has been embraced by audiences the world over. Through the use of female characters who were instruments to convey individuality and power, the celebration of women as symbols of strength is done with much success. The fact that they discuss issues once considered taboo for media portrayal is already a feat in the world of feminism and empowerment, albeit relatively against the norms of tradition or the approved style of standard feminists. But the goal of entertainment in SATC does not stop with entertainment itself—the reality of the thirty-something single woman is enough reason to make it a pronounced voice in educating society about the capabilities of females beyond the label of marital status.

Wednesday, August 28, 2019

Final examination Essay Example | Topics and Well Written Essays - 1000 words

Final examination - Essay Example The constitution, which was written by a group consisting various professionals ranging from teachers, lawyers, representatives, and other professionals, is the supreme law of the land that provides the country with a room to exercise a high sense of patriotism among US citizens with the constitution acting as an art of compromise (Vile 4). Importantly, the country has passed various legislation and ratified various treaties overtime that strengths the country’s governance structures and provide various rights to the citizens of the country. With regard to treaties, the most important treaty signed by the  US  is known as the Paris Treaty. In fact, this is the is the very document that ensured that we have the modern day USA since the treaty with the Great Britain, under the then leadership of King George III ended the Revolutionary War with the USA being recognized as an independent state by Europe and no longer a colony of the British (Ledson). Most importantly, the trea ty was achieved after various American statesmen - popularly known as the Founding Fathers - and included Benjamin Franklin and John Adams (USA's second president) engaged the British in the treaty some scholars describe as â€Å"exceedingly generous† to the USA with regard to the country’s territorial boundaries (Paterson, Clifford, and Maddock 20). Concerning the country’s political system, the country has experienced and continues to experience a vibrant political scene with various issues shaping policies adopted by various political parties. Most importantly, the two main political parties that control the direction of politics in the country are the Republican Party and the Democratic Party. Consequently, the country’s political support is almost divided down the middle with followers of the Republican Party known as Republicans while their Democratic Party counterparts are called the Democrats. Amongst the Republicans, Abraham Lincoln is the most r ecognized individual and party member due to the sweeping changes he brought to the country. As president, Lincoln adopted an abolitionists’ approach to ending slavery with his actions being against the Conservative wing of the Republican Party that adopted an anti-slavery stance (Foner, "The Fiery Trial" 86). This stance has endeared Lincoln to the American public making him one of the most revered leaders since he went against his party line. One of his major contributions was his opposition to the Kansas-Nebraska Act of 1845 that sought to repeal the Missouri Compromise of 1820 that restricted slavery with the Act of 1845 providing powers to local settlers, instead of Congress, to determine the enactment of slavery in new states (Foner, "The Fiery Trial† 88). It is instructive to point out that President Lincoln set the agenda for abolishing slavery with his opposition to laws that entrenched slavery in the country, which highly contributed to his assassination. To d rive his anti-slavery agenda, Lincoln used the provision in the country’s constitution that provide for the equality of all men before the supreme law, which was against what the president defined as Republicanism Principles (Foner, "The Fiery Trial" 86). The culture of the United States is as diverse as its history and its people. In fact, the country draws its success from the diversity in the

Tuesday, August 27, 2019

Role of Higher Education Research Paper Example | Topics and Well Written Essays - 1000 words

Role of Higher Education - Research Paper Example The role of higher education in changing our cultures and integration can be addressed in different perspectives. Globalization is the description of the new changes, ideas and developments that are coming up to change and improve peoples’ cultures, politics, businesses and generally the way of life. It is under globalization that the society is able to utilize the global trends and take advantage of the new ideas, to plan for the future. With the emerging competition due to globalization, higher education institutions are introducing topics to help students be in line with the developing world. Societies that invent or create new products and business ideas are considered to be responsible for the future development and well being. In that case, colleges and universities are required and faced with the demand for spreading knowledge and creating entrepreneurial skills to the students and potential business merchants. It has become essential for universities to develop cultures that are beneficial to the market trends, a demand that has also led to competition among universities. This creates a very competitive environment, with each institution striving to find unique and quality skills. All higher education institutions have a vision. It is in every culture of every society to have a vision, for the present and future generations. All the great and international universities let the world know their future plans, or vision, especially about what they intend to develop for the benefit of the society. The higher education institutions have the role of preparing and enlightening the society and their students, about the opportunities, changes and effects that come as a result of globalization. Universities and colleges also have the role of providing the market with knowledge and the workers to serve and develop the world. Transformation involves developing from the ancients or past ways of doing things and from